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Deeply personal, surprisingly sarcastic, and offhandedly blunt, Girlpool could be curiously frank when it came to talk of sex and gender identity, but also awkwardly sincere on matters of the heart.When the two sang, “Dear Nora, there’s a lot that’s changed this year” on 2015’s Before the World Was Big, the musicians referred to growing up too fast—not nostalgia.

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There’s something rather punk about the debut record’s folksy emotional nakedness that recalled the coarse, do-it-yourself aesthetic of early Elliott Smith and Bright Eyes.

References to an “Armageddon jury” and “a guilty sky” feel more clumsy and confusing than illuminating.

Yet Moreland’s appealingly unvarnished voice and memorable tunes more than make up for occasional lyrical missteps.

Yet Girlpool should really be considered a noise-rock duo without the noise, preferring the candid power of words instead of distortion.

On Poweplant, Girlpool continues to educate listeners with minimal arrangements that don’t say more than they need to—or, rather, let us infer what’s left unsaid.


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