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Made in film noir style, Mansfield appeared alongside Dan Duryea and Martha Vickers.

Although Mansfield's film career was short-lived, she had several box-office successes and won a Theatre World Award and a Golden Globe.

She enjoyed success in the role of fictional actress Rita Marlowe, both in the 1955–1956 Broadway version and the 1957 Hollywood film version of Will Success Spoil Rock Hunter? (1963), she became the first major American actress to have a nude starring role in a Hollywood motion picture.

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While attending The University of Texas at Austin, Mansfield won several beauty contests, including Miss Photoflash, Miss Magnesium Lamp, and Miss Fire Prevention Week.

The only title she refused was Miss Roquefort Cheese, because she believed it "... In 1952, while in Dallas, she and Paul Mansfield participated in small local-theater productions of The Slaves of Demon Rum and Ten Nights in a Barroom, and Anything Goes in Camp Gordon, Georgia.

She filed for separation from Paul Mansfield that January.

Mansfield was given bit parts in Pete Kelly's Blues (1955), starring Jack Webb, and Hell on Frisco Bay (1955), starring Alan Ladd.

Mansfield's first film part was a supporting role in Female Jungle, a low-budget drama completed in ten days while she was still a student at UCLA.

Her part was filmed over a span of a few days, and she was paid 0 (

The only title she refused was Miss Roquefort Cheese, because she believed it "... In 1952, while in Dallas, she and Paul Mansfield participated in small local-theater productions of The Slaves of Demon Rum and Ten Nights in a Barroom, and Anything Goes in Camp Gordon, Georgia.

She filed for separation from Paul Mansfield that January.

Mansfield was given bit parts in Pete Kelly's Blues (1955), starring Jack Webb, and Hell on Frisco Bay (1955), starring Alan Ladd.

Mansfield's first film part was a supporting role in Female Jungle, a low-budget drama completed in ten days while she was still a student at UCLA.

Her part was filmed over a span of a few days, and she was paid $150 ($1,000 in 2017 dollars) It was released unofficially in early 1955.

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The only title she refused was Miss Roquefort Cheese, because she believed it "... In 1952, while in Dallas, she and Paul Mansfield participated in small local-theater productions of The Slaves of Demon Rum and Ten Nights in a Barroom, and Anything Goes in Camp Gordon, Georgia.She filed for separation from Paul Mansfield that January.Mansfield was given bit parts in Pete Kelly's Blues (1955), starring Jack Webb, and Hell on Frisco Bay (1955), starring Alan Ladd.Mansfield's first film part was a supporting role in Female Jungle, a low-budget drama completed in ten days while she was still a student at UCLA.Her part was filmed over a span of a few days, and she was paid $150 ($1,000 in 2017 dollars) It was released unofficially in early 1955.Mansfield was allegedly intimately involved with numerous men, including Robert and John F. Jayne Mansfield was born Vera Jayne Palmer on April 19, 1933, in Bryn Mawr, Pennsylvania.She was the only child of Herbert William Palmer (1904–1936), who was of German and English ancestry, and Vera (née Jeffrey) Palmer (1903–2000), of English origin. In 1939 her mother married sales engineer Harry Lawrence Peers, and the family moved to Dallas, Texas, At age 17, she married Paul Mansfield on May 10, 1950.After he left for military service, she made her first notable stage appearance in a production of Arthur Miller's Death of a Salesman on October 22, 1953, with the players of the Knox Street Theater, headed by Lumet.Early in her career, some advertisers considered her prominent breasts problematic, which led to her losing her first professional assignment — an advertising campaign for General Electric that depicted young women in bathing suits relaxing around a pool.The film enjoyed moderate box office success, and Mansfield won a Golden Globe in 1957 for New Star of the Year, beating Carroll Baker and Natalie Wood for her performance as a "wistful derelict".It was "generally conceded to have been her best acting," according to The New York Times, in a fitful career hampered by her flamboyant image, distinctive voice ("a soft-voiced coo punctuated with squeals"), voluptuous figure, and limited acting range.

,000 in 2017 dollars) It was released unofficially in early 1955.

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